Thursday, September 01, 2005

Technologies of Memory in the Arts CFP

As much as I want to, I'm not going to be able to attend this conference so I thought I'd share the CFP in the hopes that someone else will go and enjoy it. Note: I'm not connected to the conference and I can't answer any questions about it.

TECHNOLOGIES OF MEMORY IN THE ARTS

The conference 'Technologies of Memory in the Arts' focuses on art as a cultural and technological practice to process and construct the past in the present. Central questions to this conference are: How do art and artistic practices function as technologies of memory? How are cultural artefacts implicated in complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesia?

As a shared artistic and social practice, cultural memory links the present to the past. In doing so, cultural memory has strong ethical and political aspects. The arts are continuously engaged in non-linear processes of remembering and forgetting, characterised by repetition, rearrangement, revision, and rejection. In artistic representations new memories are thus constantly constructed, deconstructed and reconstructed by narrative strategies, visual and aural styles, intertextuality and intermediality, representations of time and space, and rituals of remembrance. These complex processes of representation are what we understand by the term 'technologies of memory'.

The contemporary fascination with history and memory is accompanied by developments in media technology that have simultaneously a petrifying and a virtualising effect. Both individual and cultural memory are increasingly mediated by modern technologies, which means that memories are not only recorded and recollected by media, but are also shaped and
produced by them. The digital media, in particular, allow for new ways of storing, retrieving and archiving personal and collective memories, as well as cultural artefacts.

The conference theme Technologies of memory in the arts specifically addresses the material construction of cultural memory. Some panels will explore procedures of memory in both traditional and new media. Other panels will investigate the role of digitalisation of art and culture in relation to memory. Generally, the focus of this conference will be on the materiality of representation and on the relation between the medium and the construction of cultural memory.

Key note speakers:
- Marita Sturken (University of Southern California)
- Ann Rigney (Utrecht University)

Panels and papers on the conference theme are invited before 1 November
2005.
Suggested topics:
- Mediated memories
- Narrative strategies
- Intertextuality / intermediality
- Music as memory work
- Urban space and spatial dimensions
- Tourism and heritage
- Musical subcultures as memory space
- Representations of memory in the arts
- Amnesia and anamnesia
- Icons of the recent past
- Rituals of remembrance
- Rituals, music and the shape of memory
- Nostalgia and pastiche
- Retro styles as forms of cultural memory
- Rewritings of the classics
- Digitalisation of archives
- Music/sound recordings and the technology of memory

The department of Comparative Arts and Cultural Studies of the Radboud University Nijmegen participates in the EU-sponsored research network ACUME, a network of over thirty European countries researching cultural
memory from an interdisciplinary perspective. Conference committee: Sophie Levie, Edwin van Meerkerk, Liedeke Plate,
Mathijs Sanders and Anneke Smelik

More information and submission: http://www.ru.nl/comparativearts/research/technologies_of
Contact information: Edwin van Meerkerk, e.v.meerkerk@let.ru.nl, tel. +3124 3615543

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